Untertitel, Deutsch, English [CC] Details . Dieser einzigartige Streifen "How I Live Now - Die Liebe Wird Dich Nach Hause Führen", Barcode 4 . Übersetzung im Kontext von „I live now“ in Englisch-Deutsch von Reverso Context: After Übersetzung für "I live now" im Deutsch And that's how I live now. How I Live Now ist ein britischer Spielfilm des Regisseurs Kevin Macdonald aus dem Jahr Deutsche Synchronkartei, abgerufen am Juli ↑ How I Live .
How I Live Now Deutsch Videohow i live now - take me home
There are terrorist attacks all over the planet, bombs explode in cities, water supplies are poisoned and the United Kingdom is being occupied by an unknown enemy.
At first Daisy and her cousins are unconcerned about the war. It simply seems like a distant event without any major consequences for them. But that soon changes, and they find themselves in the middle of it.
Finally the army arrives at their doorstep and the children are sent away. The beautiful life alone on the farm is over and Daisy faces a whole new challenge trying to survive war and the resulting starvation, and finding Edmond again.
Meg Rosoff has written an impressive novel about war, survival and teenage love. The story is told from the point of view of Daisy, the smart and courageous protagonist.
The way in which the story is told and the fact that not much is said about who the enemy is, or why this Third World War has started, really puts the focus on the victims of the conflict and the struggles they face because of it.
How I Live Now definitely has elements of an adventure story, but it deals more with the thoughts and feelings of its characters. It is a very engaging book and makes you think differently about what war and death do to the people who are surrounded by them.
The book has been adapted for the screen. It was released on 18 October View all 3 comments. Oct 11, Steph Sinclair marked it as due-to-author. I encourage you all to read this beautiful piece by Kaye M.: View all 10 comments.
Mar 17, Shannon Giraffe Days rated it it was ok Shelves: Twins Edmond and Isaac are the most strange.
Edmond can hear her thoughts and silent Isaac prefers to talk to the farm animals. The youngest, Piper, is a sweet girl who has a way with animals too, and likes to forage in the woods for things to eat.
When Aunt Penn leaves for Oslo to help with peace negotiations, the five children are left alone at the old farmhouse. They feel far removed from any conflict, and hear conflicting reports.
Warnings of small-pox keep people practically housebound, and idle days lead to an intense relationship between Daisy and her cousin Edmond.
I certainly never noticed it. But it was a hugely disappointing read. I can see what the author was aiming for here: There are lots of exceptional stories about these themes; I wrote an assignment on them for my teaching degree.
Also, it piggy-backs on some better novels that deal with the same or similar themes and situations. Melinda in Speak narrated in similar style but to better effect.
She never shows anything, just tells tells tells. I was expecting more, to be honest, on all fronts. This is a decidedly lacklustre book and the more I talk about it the less impressed I become.
Daisy says the enemy drew the British troops somewhere else then swooped in and took the country and now defend it from the original army.
But that then creates a very interesting situation of invader and occupier that is barely touched upon. Want to convince me that Daisy IS in a war zone?
Rationing, send the kids off to strangers, shoot a couple of people, a massacre at a farmhouse - yeah, that should do it. Keep it superficial and hope the reader will fill in the gaps with their imagination?
The only satisfying thing about this survival tale is Daisy learning to eat - the smartest thing she does. There are other things that nag at me.
I grew up exposed to many more through books and BBC adaptations, and my mother is a big fan of these stories. Daisy glosses over so many things, never fully explaining or delving into things so that everything becomes almost trite, that I struggled to finish it.
My main emotional response a lot of the time was "So? A shame, but like I said, there are better books out there. The world has gone mad What is there to add more?
While the book was a bit overly simplistic, there was something endearing about it. The 4 stars is for the unorthodox punctuation.
Every war has turning points and every person too. Staying alive was what we did to pass the time. I was pretty far gone, but not so far gone that I thought anyone with half a toehold in reality would think what we were doing was a good idea.
Things Happen and once they start happening you pretty much just have to hold on for dear life and see where they drop you when they stop.
Fleeing a disinterested father, a wicked stepmother, and an eating disorder, year-old Daisy moves to England to live with her cousins on a farm.
Their idyllic adventures are interrupted by a war with an unnamed, unseen enemy, and the children are forced to go on the run as food, water, and eventually hope begin to run out.
The plot is well-constructed, with Daisy retelling her story from the future by dropping ominous hints through foreshadowing. Check out a cool "trailer" for this Printz winner at Expanded Books: Sep 07, Wendy Darling rated it it was ok Shelves: The war setting and story was perfectly serviceable, though not one that was p 2.
The war setting and story was perfectly serviceable, though not one that was particularly affecting or unusual. I had no idea who any of these characters were or what they thought or felt, except in what was related to me through Daisy.
The writing style, with its run-on sentences, lack of punctuation, distant voice, jumbled sequencing, all-capped sentences, and rampant overuse of "clever" capitalization to Signify Things of Subtle Humor, was also not one I particularly cared for.
Aug 17, Khanh, first of her name, mother of bunnies rated it liked it Shelves: I read this book on accident.
During World War II in England, there was an operation to evacuate children from the larger cities to more rural areas of England to keep them safe from possible airstrikes from the Axis forces.
I thought this was going to be a book based on a WWII evacuation. Still, the premise is an interesting one, so I continued with the book.
A war, survival, love, maturity This book just might turn out awesomely after all, despite not being what I initially signed up for.
This was a short book, but within the first 25 pages, I was sure I would give this book a 2. The problem is the narrator, Elizabeth known throughout this book as Daisy.
She is a 15 year old originally from Manhattan, and my first impression of her was not good. She was a little bitch.
I hated her for most of the book. Her narrative was what gave me so much trouble; she is so selfish, so self-centered, so utterly self-absorbed.
Her mother died giving birth to her, and in essence, Daisy thinks of herself as a murderer, having killed someone as she draws her first breath.
Her father remarried a woman named Davina Daisy yammers on for a considerable amount of time about how she hates Davina How did she become this way?
Her first-person narrative style also drove me crazy. The story is written almost from a stream of consciousness style, and it really annoyed me.
Added to my dislike of the main character, and I was not a happy reader for the first half of the book. I just wanted to yell at Daisy "What?
Are you too fucking good to use quotation marks for speech like everyone else? I seriously hated Daisy. She is a really, really self-centered narrator.
For the first half of the book, her descriptions of the war and its devastation are described coldly, impersonally, there is no sense of danger, of mortality, of impending doom.
Daisy is so detached from it all, in her own egotistical little mind. This obviously went over very badly with the populace at large and was pretty scary etc.
It frustrated me to no ends. Daisy does grow up, she does mature I actually enjoyed the subtlety of her character development.
I did not like the other characters in this book. Edmond was such a creepy character for me, and their interactions were so limited so that when they began a physical relationship, I was utterly astounded at how fast and how wrong it felt.
Working for the war effort, struggling to find resources, banding together to help one another, facing the immediate danger from home, as well as from the enemy.
All these, I reveled in. The latter half of the book was far superior to the first even if I was disappointed by the book overall.
View all 21 comments. Jun 08, karen rated it it was amazing Shelves: View all 12 comments. What a weird little book!
But there was a lot of stuff that I questioned, especially glorification of underage incestuous sex. I see this very often in YA these days and always wonder what is the purpose of such a creative choice?
I am pretty sure that "How I Live Now" would have been just as good without these add-ons. Apr 25, Maureen rated it really liked it. Sep 17, Christina White rated it did not like it Shelves: This book contained inappropriate content for the recommended 13 year old and up readers.
An anorexic 15 year old has sex with her "cool", cigarette smoking cousin. On top of the disgusting content I found there to be really no plot and no real clear resolution or ending.
The characters were strangers to me the entire time while reading. I found the whole story rather boring and pointless. It got real out there, peeps.
It belonged to Daisy and not the author. There was a real sense of loneliness and limitation. We could see nothing but what Daisy saw. And we were limited by her own lack of knowledge, etc.
The not so good things: Also, this book really reminded me of a story idea I have had for a very long time and really made me want to pick it back up and finish it off!
View all 8 comments. Jan 26, Ellen Gail rated it it was ok Shelves: I have no earthly idea what is wrong with me. Look at how tiny it is. I should have finished this in an hour, maybe two.
Instead I have spent a solid week trying to read this and failing. I then tried again over a year later, and was just as unimpressed. I ended up getting through just over half.
But for right now the writing style is annoying me, the characters are uninspiring, and the story feels entirely hollow. No emotion, no dialogue, nothing to make me keep reading.
View all 4 comments. Nov 07, Angela rated it really liked it. Watching the movie made me appreciate the book more.
Combining these two made this rating higher. If I rate just the book its a 2. Jun 21, Katja rated it it was amazing Shelves: This book is one of my favorites.
Another reviewer wrote how the story is not - which would be the obvious assumption - about the love between Daisy and Edmond. I think I gasped out loud when I realized I was on the second last page of the book.
Read in July and March May 18, Emma Miss Print rated it it was ok. At first I was hesitant to put this book in my CLW line up because it is not, actually, a book I love.
It is a Printz Award winner an award for excellence in young adult literature , the Branford Boase Award for a first novel, At first I was hesitant to put this book in my CLW line up because it is not, actually, a book I love.
Some reviews on Amazon suggested this book for readers age twelve and up. Personally, I feel that is inappropriate for a wide variety of reasons I concur with a review that place the book as more fit for fourteen and up if not older but of course it depends on the child and their reading level.
The novel starts when fifteen-year-old Daisy is exiled by her father and step-mother to rural England where she is sent to live with her aunt and cousins.
Things begin to look up for Daisy a narrator who is, at best, troubled in England as she gets to know her extended family and gets some distance from the negativity of her life in New York.
That is, until the unthinkable happens. Daisy also begins a passionate, secret, relationship with Edmond--her cousin. There are so many other, simpler, methods of creating that kind of connection between characters than using incest.
The absence of details, while maintaining the terror of the unknown, was also counterproductive in establishing an authentic enemy.
The novel is also written as continuous prose, meaning there are no formatting breaks for dialogue although paragraphs do still factor.
The truth is, after writing this review, I begin to wonder if I liked it. Daisy may not make decisions that many people would agree with, but she does act on what she thinks is right or at least on what she feels she has to do.
The title, comes from this scenario as readers watch Daisy and the rest of the world adapt to life during and after the war. And frankly, despite my criticisms here, Rosoff does have some really nice lines.
I became the ghost Piper was so scared of. It annoyed me at the time. It still annoys me. It just seems a little much.
Rosoff probably had a point to make, something about the shift between childish self-involvement and the mature outside-focus of an adult, but mostly it came off as pretentious.
The writing might have been good, but not good enough to carry the entire production. Aug 28, Emilyandherlittlepinknotes rated it it was amazing Shelves: Daisy is a sharp sarcastic new yorker whose only weapon against oblivion is food-deprivation, when she visits her cousins in England she senses that everything is different there, she lets herself be one of them, she loves them, little Piper who is impossible to resist I smiled every time she appeared on page and her cousin Edmond, who she is irremediably attracted to.
The story is simple, there is very little action and a relationship of sexual nature between cousins. This is what love is all about.
Sep 06, Eileen rated it really liked it Shelves: I started reading this book at the store, got to chapter 26, and realized it was the end of my lunch break.
Today I got it from the library, finished it, and immediately started again. The character development and in I started reading this book at the store, got to chapter 26, and realized it was the end of my lunch break.
The character development and individual action is just as severe and just as believable. The book is somewhat in a similar position, but I have to admit that for the most part, I enjoyed the movie more.
I really liked how we got more with the refugees and survivors in the second half of the book, which was mostly glossed over in the movie.
Most of the actual emotion and depth was in that section to be completely honest. The rawness of their struggle was really great to read.
The actual terrorist threat was okay, nothing particularly special. Also tf was up with that weird magical realism psychic crap? Honestly I hated this little brat for most of the book.
She was anorexic just because she wanted to spite people, which is poor and inaccurate representation if I ever saw any.
She was just so selfish and unconcerned with the war, and claimed that no teenager actually cares at all about the war and politics, and being a teen on the brink of international war, I can assure you that of all the people, teens are some of the people who care the most.
He was pointless and the ending with him was boring af Piper: I really liked her. She was sweet and sincere.
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